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Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208.
Chinese character Qi (气), Spring and Autumn period The clouds physical characteristics (being wispy and vaporous in nature) were associated with the Taoist concept of qi (气; 氣), especially yuanqi, [3]: 133 and the cosmological forces at work; [1] [note 4] i.e. the yuanqi was the origins of the Heavens and Earth, and all things were created from the interaction between the yin and yang.
Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
Upward pattern of a fire emblem, symbolized that the emperor led its people in making positive efforts Grain of rice (粉米, fěn mǐ) Symbolize nourishment and the country's agriculture, and also symbolizes that the emperor is the mainstay for the people. Axe (黼, fǔ) The Axe stands for “cut-off”; i.e. the emperor's power to act decisively
Jean-Léon Gérôme, The Snake Charmer, c. 1879. Clark Art Institute.. In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects of the Eastern world (or "Orient") by writers, designers, and artists from the Western world.
This new style reflected a period of increased cultural interchange in the Aegean world, the intensity of which is sometimes compared to that of the Late Bronze Age. The emergence of Orientalizing motifs in Greek pottery is clearly evident at the end of the Late Geometric Period , although two schools of thought exist regarding the question of ...
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