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"The Lick" is a lick (a stock musical phrase) that has been used in numerous jazz and pop songs and part of several classical compositions to the point that it has been described as "the most famous jazz cliché ever". [1] In recent years, it has become an internet meme and is often used for comedic effect. [2] [3]
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
This is a list of musical instruments, including percussion, wind, stringed, and electronic instruments. Percussion instruments (idiophones, membranophones, struck chordophones, blown percussion instruments)
Carter-style lick. [1] Play ⓘ In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 14 January 2025. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
Level compression is not to be confused with audio data compression, where the amount of data is reduced without affecting the amplitude of the sound it represents. 3D audio effects – place sounds outside the stereo basis; sound on sound – to record over a recording without erasing. Originally accomplished by disabling the tape-erase magnet.
An electronic audio effect that automatically reduces the gain of a signal (vocals, instruments, etc.) to a pre-set threshold, thus preventing unwanted peaks which could cause clipping. A compressor with extreme settings becomes a limiter, which protects speakers and speaker horns from harmful peaks. condenser microphone or condenser mic
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