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In 1988, speaking about the three men and women in their 20s and 30s who had become Shakers and were living in the Sabbathday Lake Shaker Village, Eldress Bertha Lindsay of the other community, the Canterbury Shaker Village, disputed their membership in the society: "To become a Shaker you have to sign a legal document taking the necessary vows ...
The first villages organized in Upstate New York and the New England states, and, through Shaker missionary efforts, Shaker communities appeared in the Midwestern states. Communities of Shakers were governed by area bishoprics and within the communities individuals were grouped into "family" units and worked together to manage daily activities.
The chronology of Shakers is a list of important events pertaining to the history of the Shakers, a denomination of Christianity. Millenarians who believe that their founder, Ann Lee, experienced the Second Coming of Jesus Christ, the Shakers practice celibacy, confession of sin, communalism, ecstatic worship, pacifism, and egalitarianism.
One man's attempt to build a Shaker community in Windsor stretched over 400 acres of land and included several successful businesses.
Furniture built and used by the New Lebanon "believers" is exhibited in the Shaker Retiring Room at the Metropolitan Museum of Art in New York City, which originated from the North Family Shakers' 1818 First Dwelling House. The furniture, acquired in the 1970s, and Shaker textiles are considered among the finest Shaker collections in the world. [1]
This article contains a list of inventions by the Shakers, officially known as the United Society of Believers in Christ's Second Appearance. Founded in the 18th century, the Shakers, a celibate sect who lived a communal lifestyle, were known for their many innovative creations in varied fields including agriculture, furniture, housework, and ...
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Davenport learned of the Shakers in the mid-1960s, when he came across a book of Shaker photographs. [2] He then contacted Frank DeCola, a friend and colleague with whom he had previously made a film with. [2] Davenport recalled the experience later, when interviewed by Sharon R. Sherman for her book Documenting Ourselves: Film, Video, and Culture: