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A seventh chord with a minor third, perfect fifth, and minor seventh is commonly called a minor seventh chord, but also sometimes a minor/minor seventh chord to distinguish it from the minor/major seventh chord discussed below. It can be represented as either as m 7 or − 7, or in integer notation, {0, 3, 7, 10}.
Minor major seventh chord. A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, â™ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh.
A ninth chord includes the seventh; without the seventh, the chord is not an extended chord but an added tone chord—in this case, an add 9. Ninths can be added to any chord but are most commonly seen with major, minor, and dominant seventh chords. The most commonly omitted note for a voicing is the perfect fifth.
Half-diminished seventh chords are often symbolized as a circle with a diagonal line through it, as in B ø 7 or simply B ø. It also can be represented as a minor seventh chord with a superscript "â™ 5" (sometimes enclosed in parentheses). The terms and symbols for this chord break expectations that derive from the usual system of chord ...
Diminished seventh chord (leading-tone and secondary chord) Play ... 0 3 7: Minor Minor chord: Play ...
The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...
Slash notation in 4/4 with a slash on each beat under a i7 iv7-V7 chord progression in B â™ minor. Slash notation is a form of purposely vague musical notation which indicates or requires that an accompaniment player or players improvise their own rhythm pattern or comp according to the chord symbol given above the staff.
Other just minor chord tunings include the supertonic triad in just intonation (27:32:40) [4] the false minor triad, [9] Play ⓘ, 16:19:24 [10] Play ⓘ, 12:14:18 (6:7:9) [11] [12] Play ⓘ (septimal minor third), and the Pythagorean minor triad [10] (54:64:81) Play ⓘ. More tunings of the minor chord are also available in various equal ...
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