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"The Critic as Artist" is an essay by Oscar Wilde, containing the most extensive statements of his aesthetic philosophy. A dialogue in two parts, it is by far the longest one included in his collection of essays titled Intentions published on 1 May 1891.
Oscar Fingal O'Fflahertie Wills Wilde [a] (16 October 1854 – 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s.
In the essay, written as a Platonic dialogue, Wilde holds that anti-mimesis "results not merely from Life's imitative instinct, but from the fact that the self-conscious aim of Life is to find expression, and that Art offers it certain beautiful forms through which it may realise that energy." [1] [2]
Wilde presents the essay as a Socratic dialogue between two characters, Vivian and Cyril, who are named after his own sons. [1] Their conversation, while playful and whimsical, promotes Wilde's view of Aestheticism over Realism. [2] [3] Vivian tells Cyril of an article he has been writing called "The Decay of Lying: A Protest". According to ...
Merlin Holland, Oscar Wilde's grandson, provides an introduction to the work which describes the purpose of publishing Oscar Wilde's letters. The book contains a timeline of Oscar Wilde's life, includes some of his drawings and his famous letter to his lover, Lord Alfred Douglas , known as De Profundis .
A holograph manuscript of an early version of "The Harlot's House", dated April 1882, is preserved in the William Andrews Clark Memorial Library, Los Angeles.The final version of the poem was, according to Wilde's friend and biographer Robert Sherard, written in the spring of 1883 while the author was staying at the Hôtel Voltaire in Paris, and this account is probably accurate.
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The Philosophy of Dress is an essay by Oscar Wilde that appeared in The New-York Tribune in 1885. The essay remained unknown to scholarship until 2012 when it was rediscovered and published for the first time in book form by Wilde historian John Cooper in Oscar Wilde On Dress (CSM Press, 2013), making it the only previously unknown work that Wilde intended for publication to have been released ...