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The earliest catechisms of Reformed (Calvinist) Christianity, written in the 16th through 18th centuries, including the Heidelberg (1563), Westminster (1647) and Fisher's (1765), included discussions in a question and answer format detailing how the creation of images of God (including Jesus) was counter to their understanding of the Second ...
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Al-Kalbi writes that an idol, or an aṣnām, is a venerated figurine resembling a human that is made out of wood, gold, or silver. However, if made of stone, it is called an awthān. [13] In the Quran, the words used for 'idol' or 'statue' include wathan (plural awthān) and ṣanam (plural aṣnām).
Moses Indignant at the Golden Calf, painting by William Blake, 1799–1800. Idolatry is the worship of an idol as though it were a deity. [1] [2] [3] In Abrahamic religions (namely Judaism, Samaritanism, Christianity, the Baháʼí Faith, and Islam) idolatry connotes the worship of something or someone other than the Abrahamic God as if it were God.
Various legends existed about the idols, including one that they were petrified after they committed adultery in the Kaaba. Ibn al-Kalbi handed down the legend in his Book of Idols as follows: They set out to perform the pilgrimage. Upon their arrival in Mecca they entered the Ka'bah.
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Like icons believed to be painted directly from the live subject, they therefore acted as important references for other images in the tradition. Beside the developed legend of the mandylion or Image of Edessa was the tale of the Veil of Veronica, whose very name signifies "true icon" or "true image", the fear of a "false image" remaining strong.
It is in fact true that before the coming of Islam many "gods" and idols were worshipped in the Middle East, but the name of the moon god was Sîn, not Allah, and he was not particularly popular in Arabia, the birthplace of Islam. The most prominent idol in Mecca was a god called Hubal, and there is no proof that he was a moon god.