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Chicago windows. A Chicago window is a large fixed glass panel flanked by two narrower sashes of the same height, filling a structural bay. The large pane is a single panel of plate glass, and the flanking elements are vertical double-hung sash windows with no dividing muntins.
The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. [2] [9] A murrine rod is heated in a furnace and pulled until thin while still maintaining the cross section's design. It is then cut into beads or discs when cooled. [2] [9]
Bowl of a wine glass in typical cut glass style Cut glass chandelier in Edinburgh. Cut glass or cut-glass is a technique and a style of decorating glass. For some time the style has often been produced by other techniques such as the use of moulding, but the original technique of cutting glass on an abrasive wheel is still used in luxury products.
Crown glass. Crown glass was an early type of window glass. In this process, glass was blown into a "crown" or hollow globe. This was then transferred from the blowpipe to a punty and then flattened by reheating and spinning out the bowl-shaped piece of glass (bullion) into a flat disk by centrifugal force, up to 5 or 6 feet (1.5 to 1.8 metres) in diameter.
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Angel gilding was widely used by Chicago's stained glass studios in the 1920s and 30s [6] to make a distinctive style of stained glass for Chicago's historic bungalows. These Prairie Style windows have a clear glass background with the designs picked out in opalescent glass and double-sided gold mirror.
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The cut cylinder is then placed in an oven where the cylinder unrolls into a flat glass sheet. Blenko Glass Company used this method to make flat glass during the 20th century, but it used a process patented by William Blenko that used molds for the cylinder to enable consistency in the size of the glass. In Blenko's case, slight imperfections ...