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Clothing in Myanmar varies depending on the ethnicity, geography, climate and cultural traditions of the people of each region of Myanmar (Burma). The most widely recognized Burmese national costume is the longyi , which is worn by both males and females nationwide.
This is a timeline of Burmese or Myanmar history, comprising important legal and territorial changes and political events in Burma and its predecessor states. To read about the background to these events, see History of Burma. See also the list of Burmese leaders. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items ...
The history of Myanmar (also known as Burma; Burmese: မြန်မာ့သမိုင်း) covers the period from the time of first-known human settlements 13,000 years ago to the present day. The earliest inhabitants of recorded history were a Tibeto-Burman-speaking people who established the Pyu city-states ranged as far south as Pyay ...
A man wearing a gaung baung in the traditional Shan style. The design of the modern Burmese gaung baung emerged in the mid-20th century and is called maung kyetthayay (မောင့်ကျက်သရေ). [1] It is a ready-made gaung baung made of cloth wrapped in a rattan frame and can be worn like a hat is worn.
A man wearing taungshay paso in the late 1800s. The modern longyi, a single piece of cylindrical cloth, is a relatively recent introduction to Burma.It gained popularity during British colonial rule, effectively replacing the paso and htamein of precolonial times. [2]
The cinema of Myanmar and former British Burma has a long history dating back to the 1910s. Burma's first film was a recording of the funeral of Tun Shein - a leading politician of the 1910s, who campaigned for Burmese independence in London. During the 1920s and 1930s, many Burmese-owned film companies (such as A1, New Burma, British Burma ...
Village girls wearing thanaka at Ava, Burma. Thanaka (Burmese: သနပ်ခါး; MLCTS: sa.nap hka:; pronounced [θənəkʰá]) is a paste made from ground bark.It is a distinctive feature of the culture of Myanmar, seen commonly applied to the face and sometimes the arms of women and girls, and is used to a lesser extent also by men and boys.
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