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Cut-up technique. A text created from lines of a newspaper tourism article. The cut-up technique (or découpé in French) is an aleatory narrative technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early ...
Éclaboussure is a process in Surrealist painting where oil paints or watercolours are laid down and water or turpentine is splattered, then soaked up to reveal random splatters or dots where the media was removed. This technique gives the appearance of space and atmosphere. It was used in paintings by Remedios Varo.
The Nova Trilogy (as well as a passage in the book on the cut-up technique named Minutes to Go) feature the character Hassan-i Sabbah and his final words Nothing is true—everything is permitted. Burroughs was introduced to Hassan through Betty Bouthoul, who had written an extensive book on the assassins titled The Master of the Assassins ...
Literary movement. Beat, Postmodern, Asemic writing. Brion Gysin (19 January 1916 – 13 July 1986) was a British-Canadian painter, writer, sound poet, performance artist and inventor of experimental devices. He is best known for his use of the cut-up technique, alongside his close friend, the novelist William S. Burroughs.
The book is a combination of literary essays and writing showcasing the cut-up technique popularized by Burroughs and Gysin in the 1960s. Cut-ups involves taking texts, cutting the pages, and then rearranging and combining the pieces to form new narratives.
The Ticket That Exploded is a 1962 novel by American author William S. Burroughs, published by Olympia Press and later by Grove Press in 1967. Together with The Soft Machine and Nova Express it is part of a trilogy, referred to as The Nova Trilogy, created using the cut-up technique, although for this book Burroughs used a variant called 'the fold-in' method.
The cut-up technique is an aleatory literary technique in which a written text is cut up and rearranged, often at random, to create a new text. The technique can also be applied to other media: film, photography, audio recordings, etc. It was pioneered by Brion Gysin and William S. Burroughs. [49]
Collage. Collage (/ kəˈlɑːʒ /, from the French: coller, "to glue" or "to stick together"; [1]) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.)