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Romeo and Juliet is a dramatization of Brooke's translation, and Shakespeare follows the poem closely but adds detail to several major and minor characters (the Nurse and Mercutio in particular). [23] [24] [25]
Shakespeare uses a variety of poetic forms throughout the play. He begins with a 14-line prologue in the form of a Shakespearean sonnet, spoken by a Chorus.Most of Romeo and Juliet is, however, written in blank verse and much of it in strict iambic pentameter, with less rhythmic variation than in most of Shakespeare's later plays. [11]
Each table is arranged alphabetically by the specific work, then by the language of the translation. Translations are then sub-arranged by date of publication (earliest-latest). Where possible, the date of publication given is the date of the first edition by that translator. More modern editions/versions may be available.
The spoken prologue to the play, and the prologue to Act II are both written in sonnet form, and the first meeting of the star-crossed lovers is written as a sonnet woven into the dialogue. [ 46 ] 1598 – Love's Labour's Lost is published as a quarto; the play's title page suggests it is a revision of an earlier version.
The Tragical History of Romeus and Juliet is an English language narrative poem by Arthur Brooke, first published in 1562 by Richard Tottel, which was a key source for William Shakespeare’s Romeo and Juliet. [1] It is a translation and adaptation of a French story by Pierre Boaistuau, itself derived from an Italian novella by Matteo Bandello.
The Tragical History of Romeus and Juliet Arthur Brooke (died 19 March 1563) was an English poet who wrote and created various works including The Tragical History of Romeus and Juliet (1562), considered to be William Shakespeare 's chief source for his tragedy Romeo and Juliet (published in 1597).
Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. [6] By the time of Romeo and Juliet, Richard II, and A Midsummer Night's Dream in the mid-1590s, Shakespeare had begun to write a more natural poetry. He increasingly tuned his metaphors and images to the needs of the ...
The earliest tale bearing a resemblance to Shakespeare's Romeo and Juliet is Xenophon of Ephesus' Ephesiaca, whose heroic figure is a Habrocomes.The character of Romeo is also similar to that of Pyramus in Ovid's Metamorphoses, a youth who is unable to meet the object of his affection due to an ancient family quarrel, and later kills himself due to mistakenly believing her to have been dead. [3]