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In the late 17th century, German and English composers tried to establish their own native traditions but by the early 18th century they had given ground to imported Italian opera, which became the international style in the hands of composers such as Handel. Only France resisted (and her operatic tradition had been founded by the Italian Lully).
L'Olimpiade is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was composed to a libretto by the Italian poet Metastasio that was first performed in 1733. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste ...
Il Bellerofonte is an 18th-century Italian opera in three acts by the Czech composer Josef Mysliveček. It conforms to the serious type (opera seria) that was typically set in the distant past. The libretto, based on the Greek legend of Bellerophon, was written by Giuseppe Bonecchi. [1]
Farinelli (Italian pronunciation: [fariˈnɛlli]; 24 January 1705 – 16 September 1782) [a] was the stage name of Carlo Maria Michelangelo Nicola Broschi (pronounced [ˈkarlo ˈbrɔski]), a celebrated Italian castrato singer of the 18th century and one of the greatest singers in the history of opera. [1]
Handel's last opera that he composed in Italy was a great success, [11] and established his reputation as a composer of Italian opera. [12] 1711 Rinaldo (Handel). Handel's first opera for the London stage was also the first all-Italian opera performed on the London stage. [13] 1724 Giulio Cesare (Handel). Noted for the richness of its ...
Because of the popularity of Italian opera throughout 18th-century Europe (except France), singers such as Ferri, Farinelli, Senesino and Pacchierotti became the first operatic superstars, earning enormous fees and hysterical public adulation. [12]
Strohm himself summarised the historical significance of L'Olimpiade in his book on Italian opera of the 18th century: Pergolesi's L'Olimpiade represents one of the happy moments in the history of opera. The literary masterpiece of a Metastasio at the peak of his art (he was barely 35 when he wrote it) found its first musical flowering at the ...
Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (Italian pronunciation: [ˈpjɛːtro metaˈstaːzjo]), was an Italian poet and librettist, considered the most important writer of opera seria libretti.