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There are also special symbols in Chinese arts, such as the qilin, and the Chinese dragon. [1] According to Chinese beliefs, being surrounding by objects which are decorated with such auspicious symbols and motifs was and continues to be believed to increase the likelihood that those wishes would be fulfilled even in present-day. [ 2 ]
A common motif used in clothing and other arts products is the dragon playing with flaming pearls (or balls [34]: 8 ), which appeared during the second half of the first 1st millennium AD. [1] The flaming ball or ball represents either the sun or the moon; it is sometimes referred as the "day or night shining pearl". [34]: 8
Antirrhinum is a genus of plants in the Plantaginaceae family, commonly known as dragon flowers or snapdragons because of the flowers' fancied resemblance to the face of a dragon that opens and closes its mouth when laterally squeezed. They are also sometimes called toadflax [1] or dog flower. [2]
The Chinese garden is a landscape garden style which has evolved over three thousand years. It includes both the vast gardens of the Chinese emperors and members of the imperial family, built for pleasure and to impress, and the more intimate gardens created by scholars, poets, former government officials, soldiers and merchants, made for reflection and escape from the outside world.
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
There has been mathematical analysis of some traditional Japanese garden designs. These designs avoid contrasts, symmetries and groupings that would create points which dominate visual attention. Instead, they create scenes in which visual salience is evenly distributed across the field of view. Stand-out colours, textures, objects, and groups ...
According to the German anthropologist Wolfram Eberhard, the long dragon symbolizes clouds and rainstorms, and when it plays with a ball or pearl, this signifies the swallowing of the moon by the clouds or thunder in the clouds. The moon frequently appears as a pearl, and thus the dragon with the pearl is equal to the clouds with the moon.
In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.