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Salah Asuhan is generally considered one of the most important works in modern Indonesian Literature and is commonly used as reading material in Indonesian literature classes. [ 2 ] Bakri Siregar wrote positively of Salah Asuhan , considering the diction unparalleled in its contemporaries and the characters well fleshed-out.
In his first novel, Salah Asuhan (Wrong Upbringing), published in 1928, Muis depicted the problem of racial and social discrimination in the tragic story of Hanafi and Corrie. [6] The Western-oriented Hanafi and the feisty, liberal Corrie represent the conflict pre-independent Indonesia faced in choosing either to adhere to traditional values ...
Salah Asuhan (literally Wrong Upbringing, released internationally as The Misfit) is a 1972 film directed by Asrul Sani, produced by Andy Azhar, and starring Dicky Zulkarnaen, Ruth Pelupessy, and Rima Melati.
Balai Pustaka ([ˈbalai pusˈtaka]; also spelled Balai Poestaka, both meaning "Bureau of Literature") is the state-owned publisher of Indonesia and publisher of major pieces of Indonesian literature such as Salah Asuhan, Sitti Nurbaya and Layar Terkembang. Its head office is in Jakarta. [1]
However, it has also been called a sequel of Salah Asuhan. [4] Mahayana et al considered the use of language "convincing", with uneducated characters using a mix of Betawi and Malay words. As a result, they consider it a result of Muis' observations while living in Batavia. [5] Bakri Siregar considered Pertemuan Jodoh "much weaker" than Salah ...
Dutch scholar of Indonesian literature A. Teeuw notes that Layar Terkembang is one of the three most important Indonesian works written before World War II, together with Salah Asuhan and Belenggu. He writes that the novel shows the shift in focus from the conflict between individuals and traditional culture to a nationalist awakening in the ...
The film, which was based on an Indonesian legend and written by Y. B. Mangunwijaya, garnered him another Best Director nomination at the 1983 Indonesian Film Festival; [10] [11] he lost to Teguh Karya, director of Di Balik Kelambu. [12] Ami received another nomination the following year for Yang, but lost to Sjumandjaja of Budak Nafsu. [13]
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