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The discography of The Whispers, an American rhythm and blues group, consists of thirty-two studio albums, one live album, seventy-seven singles and thirteen official compilation albums. Studio albums
The Whispers is a studio album by American R&B/soul vocal group the Whispers, released on October 20, 1979, by SOLAR Records.It was the first hit album for the veteran group, peaking at number one on the Billboard Top Soul LPs chart, as well as number six on the Billboard Top LPs chart.
February 9, 1988 – The Whispers received a RIAA Platinum Album for their recording of "Just Gets Better with Time". [12] May 24, 1991 – The Whispers received a RIAA Gold Album for their recording of "More of the Night". [11] 2002 – The Whispers were honored with an NAACP Image Award. 2003 – The Whispers were inducted into the Vocal ...
Now considered one of the first concept albums (inspired by Segarini's real-life kindergarten teacher, Miss Grady) it features a suite of songs that depict the life of a spinster school teacher, Miss Butters, who is born into a showbiz family, but experiences a failed relationship that leads her to devote life to children and teaching, before ...
"Keep On Lovin' Me" is a song recorded by American rhythm and blues group The Whispers; issued as the second single from their fourteenth studio album Love for Love. The song peaked at No. 4 on the Billboard R&B singles chart in 1983. [3] The music video was filmed in Century City. [4]
The Whispers chronology; Love Is Where You Find It (1981) Love for Love ... Love for Love is the fourteenth studio album by the American R&B/Soul vocal group the ...
"So Gone" was generally lauded by contemporary music critics, who complimented its vintage sound. Lewis Dene of BBC Music described the song as a "infectious 70s soul groove", [6] while Chuck Arnold from People magazine wrote in his album review that "So Gone", one of "three standout tracks produced and co-written by Missy Elliott, samples the Whispers' 1977 song "You Are Number One" to bring ...
Reviewing the song for Record Mirror, James Hamilton described it as "skippable, but distinctive synth tones intro this thunderously smacking 0-117-118-119 bpm 12in smash-bound chunderer with cheerful catchy vocals and, as has been proved beyond question, real grow-on-you appeal". [1]