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The first Hammond in production. Two 61-note manuals, 25-note pedalboard, 2 x 9 drawbars per manual, 2 pedal drawbars, 9 presets per manual, a tremolo effect generator ("tremulant"). [5] A-B: 1936–1938 [5] /1942 [6] After the introduction of Model B-C in 1936, previous Model A was available as Model A-B. [5] / B series actually starts with ...
An updated flagship organ, the XK-5, was launched in 2016, [89] and a stage keyboard, the SK-X followed in 2019, which allows a player to select an individual instrument (organ, piano or synthesizer) for each manual. [90] In the US, Hammond manufactures a number of dedicated console organs, including the B-3mk2 and the C-3mk2, and the A-405, a ...
L100 may refer to: L 100, a Belgian resistance organisation; Albatros L 100, light aircraft built in Germany; Hammond L-100, an electric organ series; HMAS Choules (L 100), a Bay-class landing ship with the Royal Fleet Auxiliary (RFA) HMS Liddesdale (L100), Type II Hunt-class destroyer of the Royal Navy; JBL L-100, a model of musical loudspeaker
To counteract Hammond's slogan "Music's Most Glorious Voice," Leslie added a similar slogan, "Pipe Voice of the Electric Organ" to the plates. [1] He eventually owned nearly 50 patents on the speaker. [5] Leslie manufactured the speaker to work with other organs besides Hammond, including Wurlitzer, Conn, Thomas and Baldwin. [6]
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Korg CX-3 (1980) According to journalist Gordon Reid, it "came close to emulating the true depth and passion of a vintage Hammond." [1]Transporting the heavy Hammond organ, bass pedalboard (a B-3 organ, bench and pedalboard weighs 425 pounds/193 kg) and Leslie speaker cabinets to performance venues makes it cumbersome for artists to tour with a vintage electromechanical organ.
Lowrey led Hammond in the development of automatic accompaniment features; in 1968, automatic rhythm was added, and in 1970 the Genie model added automatic left hand and pedal. While originally intended for the home entertainment market , Lowrey also produced theatre organs and a full 2-manual with pedal church organ .
The manuals are usually offset, inviting but not requiring the new organist to dedicate the right hand to the upper manual and the left to the lower, rather than using both hands on a single manual. The stops on the upper manual were often 'voiced' somewhat louder or brighter, and user guides encouraged playing the melody on the upper manual ...
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