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Probably the best-known Art Nouveau typeface, the font had a renaissance in the 1960s and 1970s as part of the general Art Nouveau revival in popular design. Its influence can be seen in the work of illustrators such as Roger Dean and the Stuckist artist Paul Harvey .
Pages in category "Art Nouveau typefaces" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. A. Andreas (typeface)
Contrary to their current perception, in its early years, the Bauhaus school printed serif art nouveau typefaces. After some years of design work at the school, Herbert Bayer and Joost Schmidt created the more recognizable proposals—sans-serif geometric letterings, with decorative elements of the font removed for a crisp industrial style.
ITC Benguiat Gothic is a sans-serif variant for the original serif font family. Both faces are loosely based upon typefaces of the Art Nouveau period but are not considered academic revivals. The face follows ITC's design formulary of an extremely high x-height, combined with multiple widths and weights.
This font may have originally been intended as an Art-Nouveau font due to its resemblance to other fonts of the time. There are several theories regarding the font's name, and in fact it is widely recognized as one of the more interesting mysteries in typographic history. [2]
Eckmann's work differed from others in the Art Nouveau movement in that he used dimensionality in his designs, where most designers used a flat look Eckmann's work shows a clear background, middle-ground and foreground. [6] In 1897 he taught ornamental painting at the Unterrichtsanstalt des Königlichen Kunstgewerbemuseums in Berlin.
Epitaph (1993) - decorative sans-serif inspired by an Art Nouveau typeface issued by American Type Founders. [10] [11] Reiner Script (1993) - script font. [10] Stereo (1993) - relief sans serif. [10] A digitisation of Eldorado by Font Bureau, on which Frere-Jones collaborated (shown is the Text optical size).
A popular art nouveau font was Eckmann, designed by graphic artist Otto Eckmann. Furthermore, the influence of art nouveau was expressed in a lot of book illustrations and ex libris designs. Altogether the return to the roots of book art become stronger around the start of the 20th century.
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