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"No Woman, No Cry" is a reggae song performed by Bob Marley and the Wailers. The song was recorded in 1974 and released on the studio album Natty Dread. [2]The live recording of this song from the 1975 album Live! was released as a single and is the best-known version; it was later included on several compilation albums, including the greatest hits compilation Legend.
Vincent Ford (10 November 1940 – 28 December 2008), known as "Tata" or "Tartar", was a Jamaican songwriter best known for receiving writing credit for "No Woman, No Cry", the reggae song made famous by Bob Marley & The Wailers, as well as three other Bob Marley songs. However, controversy persisted as to whether the compositions had actually ...
Live! is a 1975 album by Bob Marley and the Wailers which was recorded live in concert during July 1975 at the Lyceum Theatre, London. " No Woman, No Cry (Live '75) " was released as a single. Background
— Bob Marley and the Wailers, “Redemption Song” “So, come with me, to a land of liberty, / Where we can live, live our lives and be free.” — Bob Marley and the Wailers, “400 years”
Of course, hits such as “I Shot the Sheriff,” “No Woman, No Cry” and “Redemption Song” featured in the film. But narrowing it down was no easy task.
It was followed by Burnin', which included the song "I Shot the Sheriff". Eric Clapton's cover of the song became a hit in 1974. Bob Marley proceeded with Bob Marley and the Wailers, which included the Wailers Band and the I Threes. In 1975, he had his first own hit outside Jamaica with "No Woman, No Cry", from the Live! album.
The song was written after Marley had been stopped by a night-time police carcheck. The influence of Marley's increasing devotion to Rastafari can be heard in religious-themed songs like "So Jah S'eh", "Natty Dread" and "Lively Up Yourself", while Marley's reputation as a romantic is confirmed with smooth, seductive songs like "Bend Down Low".
The correct title of this song is No Woman, No Cry, with a comma. That's how it is spelled on the back cover and in the liner notes of the album Natty Dread where this song first appeared, and it is also spelled with a comma on other Bob Marley albums that this song has appeared on (the Live! album is an example).