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The English Renaissance theatre or Elizabethan theatre was the theatre of ... drama became more oriented towards the tastes and values of an upper-class audience.
The theatre had timber galleries with mid and upper areas for wealthier audience members, and a courtyard made from compacted gravel for those with less to spend. [20] The galleries were straight. [3] Also uncovered was a fragmentary ceramic bird whistle, dating from the late 16th century.
The old Chautauqua theatre walls, now ivy-covered, remain as the outer perimeter of the theatre. The $7.6 million Paul Allen Pavilion was added in 1992. It houses a control room, and audience services including rental of infrared hearing devices, blankets, pillows, and food and drink, both of which are allowed in the auditorium.
The apron is any part of the stage that extends past the proscenium arch and into the audience or seating area. The Elizabethan stage, which was a raised platform with the audience on three sides, is an outstanding example. The Elizabethan stage was typically found in public theatres as plays were no longer performed outside.
The Rose was an Elizabethan playhouse, built by theatre entrepreneur Philip Henslowe in 1587. It was the fifth public playhouse to be built in London, after the Red Lion in Whitechapel (1567), The Theatre (1576) and the Curtain (1577), both in Shoreditch, and the theatre at Newington Butts (c. 1580?
The Elizabethan era is appropriately famous for the construction of the earliest permanent professional playhouses in Britain, starting with James Burbage's The Theatre in 1576 and continuing through the Curtain (), the Rose, Swan, Globe and others —; a development that allowed the evolution of the drama of Christopher Marlowe, William Shakespeare, Ben Jonson and their contemporaries and ...
The Red Lion was an Elizabethan playhouse located in Whitechapel (part of the modern Borough of Tower Hamlets), just outside the City of London on the east side.. Built in 1567 for John Brayne, citizen and Grocer, this was the first known attempt to provide a purpose-built playhouse in London for the many Tudor age touring theatrical companies - and perhaps the first purpose-built venue known ...
The scope of this project covered articles relating to the Theatre and dramatic literature in England, between the years 1558 and 1642, spanning the reigns of three princes and sovereigns on the thrones, sharing the crowns: Queen Elizabeth I, King James VI and I as well as King Charles I, for some 84 years; from the year 1558, the first year of Queen Elizabeth's reign, right until the year ...