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Protest art against the Marcos dictatorship in the Philippines pertains to artists' depictions and critical responses to social and political issues during the presidency of Ferdinand Marcos. Individual artists as well as art groups expressed their opposition to the Marcos regime through various forms of visual art, such as paintings, murals ...
Anita Magsaysay-Ho (born Anita Corpus Magsaysay; May 25, 1914 – May 5, 2012) was a Filipina painter who specialized in Social Realism and post-Cubism in regard to women in Filipino culture. [2]
Cesar Torrente Legaspi (April 2, 1917 – April 7, 1994) was a Filipino National Artist in painting. He was also an art director prior to going full-time in his visual art practice in the 1960s. His early (1940s–1960s) works, alongside those of peer, Hernando Ocampo are described as depictions of anguish and dehumanization of beggars and ...
Edgar "Egai" Talusan Fernandez (January 20, 1955 – February 27, 2024) was a Filipino socialist-realist painter. [1] [2] [3] His art style was noted for portraying the Philippines as "a multi-ethnic country that is still embroiled in social issues such as civil conflicts."
Filipino Struggles Through History, alternatively known as the History of Manila is a series paintings which depicts select events from Philippine history. [6] It composes of 10 canvas panels collectively measuring 2.7 meters (8.9 ft) high and 79.4 meters (260 ft) wide.
Juan Luna de San Pedro y Novicio Ancheta (Spanish: [ˈxwan ˈluna], Tagalog: [hwɐn ˈluna]; October 23, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century.
In her use of periodicals, stickers, art reproductions and texts allowed her illuminate national social, political, environmental and economic issues and struggles within the Philippines. She did further research into Filipino printmaking since the 17th century and regional folk art. [4]
Don Luis Araneta Collection (Philippines) The Odalisque is a famous 1885 painting [ 1 ] by award-winning Filipino painter and revolutionary activist Juan Luna . It is one of Luna's so-called "Academic Salon portraits" that followed the standards of proper proportion and perspective, and realistic depictions with "an air of dignity and allure".