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  2. The River Merchant's Wife: A Letter - Wikipedia

    en.wikipedia.org/wiki/The_River_Merchant's_Wife...

    The River Merchant's Wife: A Letter" is a four stanza poem, written in free verse, and loosely translated by Ezra Pound from a poem by Chinese poet Li Bai. It first appeared in Pound's 1915 collection Cathay. It is the most widely anthologized poem of the collection. [1]

  3. Cathay (poetry collection) - Wikipedia

    en.wikipedia.org/wiki/Cathay_(poetry_collection)

    Pound critic Zhaoming Qian calls "The River Merchant's Wife: A Letter", "The Jewell Stairs' Grievance" and "The Exile's Letter" "imagist and vorticist masterpieces". [2] The opening poem, "Song of the Bowmen of Shu", shows the dominant themes of separation and loneliness, especially the loneliness of the soldier.

  4. Mary de Rachewiltz - Wikipedia

    en.wikipedia.org/wiki/Mary_de_Rachewiltz

    Mary de Rachewiltz in 2012. Mary de Rachewiltz (born Maria Rudge; July 9, 1925) is an Italian-American [1] poet and translator. She is the daughter of the American poet Ezra Pound, whose The Cantos she translated into Italian.

  5. Category:Li Bai - Wikipedia

    en.wikipedia.org/wiki/Category:Li_Bai

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  7. Allen Shearer - Wikipedia

    en.wikipedia.org/wiki/Allen_Shearer

    The River-Merchant’s Wife (2018) for soprano, flute, viola and piano; Psalm, Lament and Aubade (2018) for soprano, clarinet and piano; November Gold (2017) for medium voice and piano; Stories Wind Told to Grass (2015) for mezzo soprano, flute, cello and piano; The Leaves of Another Year (2014) for baritone, clarinet and guitar

  8. Ezra Pound's Three Kinds of Poetry - Wikipedia

    en.wikipedia.org/wiki/Ezra_Pound's_Three_Kinds_of...

    Phanopoeia or phanopeia is defined as "a casting of images upon the visual imagination," [1] throwing the object (fixed or moving) on to the visual imagination. In the first publication of these three types, Pound refers to phanopoeia as "imagism."

  9. Des Imagistes - Wikipedia

    en.wikipedia.org/wiki/Des_Imagistes

    Des Imagistes: An Anthology, edited by Ezra Pound and published in 1914, was the first anthology of the Imagism movement. It was published in The Glebe in February 1914, and later that year as a book by Charles and Albert Boni in New York, and Harold Monro's Poetry Bookshop in London.