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Sans Neige (En: Without Snow) is a 1969 oil on canvas triptych painting by the American New York School abstract expressionist artist Joan Mitchell. [1] It is in the permanent collection of the Carnegie Museum of Art in Pittsburgh.
Three Studies of Lucian Freud is a 1969 oil-on-canvas [1] triptych by the Irish-born British painter Francis Bacon, depicting artist Lucian Freud.It was sold in November 2013 for US$ 142.4 million, which at the time was the highest price attained at auction for a work of art when not factoring in inflation.
It comprises three oil and pastel paintings on canvas. [1] It is the second most expensive Bacon ever sold, after Three Studies of Lucian Freud, being auctioned for US$86 million in 2008. [2] The triptych is a large three panel painting (each panel measuring 78 x 58 in, 198 x 147.5 cm), [3] with dense colors and abstract shapes. Bacon used his ...
A longtime New York-based art dealer stumbled upon a painting at a Hamptons barn sale for which he paid just $50 — and now the rare piece is expected to be auctioned off for six figures.
Triptych, May–June 1973 was purchased at auction in 1989 by Swiss businesswoman Esther Grether for $6.3 million ($15.5 million as of 2023), then a record for a Bacon painting. [7] [8] [9] Grether is believed to own three other Bacon triptychs from the 1970s. Triptych March 1974 1974 Catalogue Raisonné Number 74-02 Oil on canvas 198 x 147.5cm ...
The triptych format has been used in non-Christian faiths, including, Judaism, Islam, and Buddhism. For example: the triptych Hilje-j-Sherif displayed at the National Museum of Oriental Art, Rome, Italy, and a page of the Qur'an at the Museum of Turkish and Islamic Arts in Istanbul, Turkey, exemplify Ottoman religious art adapting the motif. [7]
Celebration is a triptych painting by Tyeb Mehta. It sold at Christie's for 15 million Indian rupees (US$300,000) in 2002, [ 1 ] the highest price a contemporary Indian piece of art has ever sold for in a public auction.
The work consists of six isolated panels which had originally been arranged recto-verso as pairs and were sawn apart at some point before 1890. Neither the order of the panels from left to right, nor the coupling of the pairs of paintings, is known with certainty; and because of the work's theological content, it is disputed if it was designed as a triptych or as a polyptych.
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