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The rising importance of foot troops, thus, brought not only the opportunity but also the need to expand armies substantially. Thus as early as the late 13th century, we can observe Edward I campaigning at the head of armies incorporating tens of thousands of paid archers and spearmen.
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
As firearms became more effective during the 17th century, the ratio of musket to pike was increased from a common standard of about 1:1 around the start of the 17th century to about 2:1 in the middle of the century, and 4:1 or even 6:1 by the end of the 17th century. Another trend was the thinning of infantry formations.
1227–34 – A Play of Daniel with music is written at the school of Beauvais Cathedral. 1235–39 – Theobald I of Navarre, "Seignor, sachiés, qui or ne s’en ira" (chanson de croisade) 1239 – Theobald I of Navarre, "Au tens plain de felonie" (chanson de croisade)
Medieval warfare is the warfare of the Middle Ages.Technological, cultural, and social advancements had forced a severe transformation in the character of warfare from antiquity, changing military tactics and the role of cavalry and artillery (see military history).
Music in Medieval England, from the end of Roman rule in the fifth century until the Reformation in the sixteenth century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. The sources of English secular music are much more limited than for ecclesiastical music.
[11] [12] The beginnings of the period—the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300—overlap considerably with the Late Middle Ages, conventionally dated to c. 1350–1500, and the Middle Ages themselves were a long period filled with gradual changes, like the modern age; as a ...
Very little Italian music remains from the 13th century, so the immediate antecedents of the music of the Trecento must largely be inferred. The music of the troubadors, who brought their lyrical, secular song into northern Italy in the early 13th century after they fled their home regions—principally Provence—during the Albigensian Crusade, was a strong influence, and perhaps a decisive ...