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Silence (Original Motion Picture Soundtrack) is the soundtrack to the 2016 film Silence directed by Martin Scorsese.The film's original score written and composed by Kim Allen and Kathryn Kluge, consists of minimalistic music mainly produced through ambient natural soundscape.
"No Good in Goodbye" is a song by Irish rock band The Script. It was released on 15 October 2014 as the second single from their fourth studio album No Sound Without Silence (2014). According to The Script vocalist Danny O'Donoghue, the band's material is made up of complex thoughts condensed down to really simple songs.
No Sound Without Silence is a phrase derived from an idea put forward by the band, where meaningful statements cannot be made without thinking about what you want to say first; the "silence" referring to the silence that persists while a person thinks about what they want to say, and the "sound" referring to the sounds made by people when they ...
The Silence of the Lambs (Original Motion Picture Soundtrack) is the film score for the 1991 horror film directed by Jonathan Demme. Composed by Howard Shore, the soundtrack was released by MCA Records on CD, LP, and cassette on February 5, 1991. The original release featured 13 tracks.
According to the Script lead vocalist Danny O'Donoghue, "Superheroes" is a song written for "the unsung heroes out in the world". [1] The song, which calls out "people who are going through the hardest of times but can keep their head held high", has drawn comparisons by some music critics to "Firework", originally performed by American singer Katy Perry, in terms of the song's lyrical themes.
Earlier title: "Great sorrows are mute: incoherent funeral march". The composer instructed: "Great sorrows being mute, the performers should occupy themselves with the sole task of counting the bars, instead of indulging in the kind of indecent row that destroys the august character of the best obsequies."
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The track listing follows the order of the music's use within the film, with the exception of the title song being moved to the end of the album (in the film, it appears immediately after track 1). It is presented in the full-length single-release version, rather than the shorter mix heard over the film's opening titles.