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Đồng Khởi Museum in Mỏ Cày Nam ward, Bến Tre Đồng Khởi (lit. ' Uprise Together ' or ' Together Uprising ') was a movement led by remnants of the Việt Minh that remained in South Vietnam and urged people to revolt against the United States and the Republic Of Vietnam, first of all in large rural areas in southern Vietnam and on highlands of South Central Coastal Vietnam.
"The War Is Over" is an anti-war song by Phil Ochs, an American protest singer in the 1960s and early 1970s. Ochs was famous for harshly criticizing the Vietnam War and the American military-industrial establishment.
In the 1960s particularly, teenagers and young adults were the main protestors of the war. Men of the age of 18 were enrolled in the draft and expected to fight in Vietnam. The legal age to vote against the war was 21, so these boys agreed that if they were old enough to fight in the war they should be old enough to oppose it.
The Vietnam War Song Project (VWSP) is an archive and interpretive examination of over 6000 Vietnam War songs identified. [1] [2] It was founded in 2007 by its current editor, Justin A. Brummer, a historian with a PhD in contemporary Anglo-American relations from University College London.
"Draft Dodger Rag" is a satirical anti-war song by Phil Ochs, a U.S. protest singer from the 1960s known for being a harsh critic of the American military industrial complex. Originally released on his 1965 album, I Ain't Marching Anymore, "Draft Dodger Rag" quickly became an anthem of the anti-Vietnam War movement. [1]
YouTube has blocked access to a popular protest song, a week after a Hong Kong court granted the city government’s request to ban the anthem.
MOUNTAIN VIEW/HONG KONG (Reuters) -Alphabet's YouTube on Tuesday said it would comply with a court decision and block access inside Hong Kong to 32 video links deemed prohibited content, in what ...
Protest music was a big feature of plays organized by the Indian People's Theatre Association (IPTA). Similar organisations formed after the break-up of IPTA and highly influenced by its work, like the Jana Natya Manch (JANAM), also made protest music a regular feature of their plays. In recent decades, however, the Left's cultural activism has ...