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Style and Medium in the Motion Pictures. Style and Medium in the Motion Pictures is a 1936 essay by the art historian Erwin Panofsky. In the essay, Panofsky "seeks to describe the visual symptoms endemic" to the medium of film. [1] Originally given as an informal talk in 1934 to a group of Princeton University students in the process of ...
According to Clement Greenberg, who helped popularize the term, medium specificity holds that "the unique and proper area of competence" for a form of art corresponds with the ability of an artist to manipulate those features that are "unique to the nature" of a particular medium. [2] For example, in painting, literal flatness and abstraction ...
It mainly focuses on the physical aspects of the artwork, such as medium, color, value, space, etc., rather than on what it communicates. [1] Content, on the other hand, refers to a work's subject matter, i.e., its meaning. [2][3] But the terms form and content can be applied not only to art: every meaningful text has its inherent form, hence ...
In the visual arts, style is a "... distinctive manner which permits the grouping of works into related categories" [1] or "... any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". [2] Style refers to the visual appearance of a work of art that relates to other ...
Art as Experience. Art as Experience (1934) is John Dewey's major writing on aesthetics, originally delivered as the first William James Lecture at Harvard (1932). Dewey's aesthetics have been found useful in a number of disciplines, including new media. Dewey had previously written articles on aesthetics in the 1880s and had further addressed ...
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Multimodality is the application of multiple literacies within one medium. Multiple literacies or "modes" contribute to an audience's understanding of a composition. [1] Everything from the placement of images to the organization of the content to the method of delivery creates meaning. This is the result of a shift from isolated text being ...