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The Screwtape Letters is a Christian apologetic novel by C. S. Lewis and dedicated to J. R. R. Tolkien.It is written in a satirical, epistolary style and, while it is fictional in format, the plot and characters are used to address Christian theological issues, primarily those to do with temptation and resistance to it.
The volume also contains a follow-up to Lewis' 1942 novel The Screwtape Letters in the form of "Screwtape Proposes a Toast." The second, fourth and fifth pieces were published in the U.K. in a volume called Screwtape Proposes a Toast and other pieces (1965); the first, sixth and seventh were published in the U.K. in Fern-seed and Elephants and ...
The Screwtape Letters (1942) "Screwtape Proposes a Toast" (1961) (an addition to The Screwtape Letters) The Great Divorce (1945) The Chronicles of Narnia; The Lion, the Witch and the Wardrobe. Geoffrey Bles. 1950. Prince Caspian. Geoffrey Bles. 1951. The Voyage of the Dawn Treader. Geoffrey Bles. 1952. The Silver Chair. Geoffrey Bles. 1953.
The Screwtape Letters represent his side of the correspondence with his nephew Wormwood, as mentor to the young demon who is charged with the guidance of one man. He has a secretary called Toadpipe. The Toast is Screwtape's after-dinner speech at the Tempters' Training College and satirises American and British or English public education.
The book was poorly received by critics at the time, [23] although David Martyn Lloyd-Jones, one of Lewis's contemporaries at Oxford, gave him much-valued encouragement. Asked by Lloyd-Jones when he would write another book, Lewis replied, "When I understand the meaning of prayer." [90] [page needed]
The album takes its title from The Screwtape Letters by C. S. Lewis, which has every chapter of the book begin with the words "Dear Wormwood,".It draws further inspiration from the book by framing each song as a letter from someone in an abusive or unhealthy relationship to their abuser, reversing how the book was composed of letters trying to teach one demon how to lead a particular human astray.
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One of the directors of the company at the time was T.S. Eliot, who found the book intensely moving. [3] Madeleine L’Engle, an American author best known for her young adult fiction, wrote a foreword for the 1989 printing of the book. In the foreword, she speaks of her own grief after losing her husband and notes the similarities and differences.
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