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Most dictionaries and definitions of shan shui assume that the term includes all ancient Chinese paintings with mountain and water images. [3] Contemporary Chinese painters, however, feel that only paintings with mountain and water images that follow specific conventions of form, style and function should be called "shan shui painting".
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Three House Pictures: 19.4 x 42.9 Philadelphia Museum of Art: Oil and watercolour on paper, on board 1921 All Souls' Picture: 40 x 53.7 Metropolitan Museum of Art, New York Watercolour and ink on paper, on cardboard 1921 The Primeval Couple: 31.2 x 48 Pinakothek der Moderne, Munich Watercolour and oil on paper 1921 Flower Family V: 24.1 x 16.2
Intertwining with the imperial landscape painting, water mill, an element of jiehua painting, though, is still used as an imperial symbol. Water mill depicted in the Water Mill is a representation for the revolution of technology, economy, science, mechanical engineering and transportation in Song dynasty. It represents the government directly ...
The Water and Land Ritual paintings (水陆画) are a style of traditional Chinese painting based on religious or Chinese mythological subjects. The paintings are mainly intricate portraits of deities , historical figures, and the contrasting lives of common people and tragedies, in an ornate style with rich use of vivid colors and patterns.
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
The Yunyan Pagoda, 47 m (154 ft) in height, built in 961 AD. The Liaodi Pagoda of Hebei, 84 m (276 ft) in height, built in 1055 during the Northern Song. Following the reign of the Han dynasty, (202 BC–220 AD), the idea of the Buddhist stupa entered Chinese culture as a means to house and protect scriptural sutras.
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