Search results
Results from the WOW.Com Content Network
The term deletion is used in some modern work instead of elision. [14] When contemporary or historic deletion is treated in terms of Generative phonology it is usual to explain the process as one of substituting zero for a phoneme, in the form of a phonological rule. [15] The form of such rules is typically X --> ∅ (i.e. the segment x becomes ...
In phonology, particularly within historical linguistics, dissimilation is a phenomenon whereby similar consonants or vowels in a word become less similar or elided. In English, dissimilation is particularly common with liquid consonants such as /r/ and /l/ when they occur in a sequence.
In the opening type of lenition, the articulation becomes more open with each step. Opening lenition involves several sound changes: shortening of double consonants, affrication of stops, spirantization or assibilation of stops or affricates, debuccalization, and finally elision.
Final consonant deletion is the nonstandard deletion of single consonants in syllable-final position occurring for some AAVE speakers [23] resulting in pronunciations like: bad - [bæː] con - [kɑ̃] foot - [fʊ] five - [faɪ] good - [ɡʊː] When final nasal consonants are deleted, the nasality is maintained on the preceding vowel.
Not only is cluster reduction common in specific languages, but it occurs in world Englishes, as well. For example, final consonant cluster reduction is common among those speaking dialects of Singapore English, and they may use cluster reduction strategies known as metathesis, glottalization, and deletion.
Haplology (from Greek ἁπλόος haplóos "simple" and λόγος lógos, "speech") is, in spoken language, the elision (elimination or deletion) of an entire syllable or a part of it through dissimilation (a differentiating shift that affects two neighboring similar sounds).
In phonology, epenthesis (/ ɪ ˈ p ɛ n θ ə s ɪ s, ɛ-/; Greek ἐπένθεσις) means the addition of one or more sounds to a word, especially in the beginning syllable or in the ending syllable or in-between two syllabic sounds in a word.
Robert Bridges's theory of elision is a theory of elision developed by the poet Robert Bridges, while he was working on a prosodic analysis of John Milton's poems Paradise Lost, Paradise Regained, and Samson Agonistes. Bridges describes his theory in thorough detail in his 1921 book Milton's Prosody.