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Gamera Rebirth (stylized as GAMERA -Rebirth-) is a Japanese original net animation (ONA) series directed and co-written by Hiroyuki Seshita ().Produced by Kadokawa Corporation and animated by ENGI, it is a reboot of the Gamera franchise following Gamera the Brave (2006), the first animated entry in the franchise and the first entry in the franchise's Reiwa era.
Gamera (Japanese: ガメラ, Hepburn: Gamera) is a fictional monster, or kaiju, originating from a series of Japanese films.Debuting in the 1965 film Gamera, the Giant Monster, the character and the first film were intended to compete with the success of Toho's Godzilla film series.
Gamera vs. Viras was filmed at Daiei-Tokyo Studios. [1] The film is the fourth in the Gamera film series. [1] Daiei was in "financial trouble" at the beginning of 1968 and as a result cut the film's budget to ¥20 million, about $56,000 at the time. Footage from previous Gamera films was re-used in some parts of
Gamera, the Giant Monster [5] (大怪獣ガメラ, Daikaijū Gamera) [6] is a 1965 Japanese kaiju film directed by Noriaki Yuasa, with special effects by Yonesaburo Tsukiji. [2] Produced and distributed by Daiei Film, it is the first film in the Gamera franchise and the Shōwa era. The film stars Eiji Funakoshi, Harumi Kiritachi, and Junichiro ...
Noriaki Yuasa (湯浅 憲明, Yuasa Noriaki) (28 September 1933 – 14 June 2004) was a Japanese director.Yuasa was the main director of the Japanese film series Gamera, about a giant flying turtle that befriends small boys and battles giant monsters; he directed seven of the first eight films in the series while also providing special effects for one of them. [1]
Gamera the Brave (小さき勇者たち〜ガメラ〜, Chiisaki Yūsha-tachi Gamera, lit. ' Little Hero: Gamera- ' ) is a 2006 Japanese kaiju film directed by Ryuta Tasaki , written by Yukari Tatsui ( jp ), and produced by Kadokawa Daiei Studio .
Gamera rips off the queen's horns, seemingly defeating her; however, the queen rises and unleashes a new attack of laser whips that rip Gamera's flesh. With the Legion Queen seemingly having gained the upper hand, Gamera draws upon the energy of humans from around the world and his chest opens up, revealing a plasma cannon.
Katsuhito Itō of Hobby Japan felt the film is the best kaiju movie since the original 1954 Godzilla film. [30] Troy Guinn of Eccentric Cinema gave the film a score of 8 out of 10, calling it "one of only three Godzilla films I would recommend to anyone besides giant monster-movie fans or sci-fi buffs, the other two being the original Gojira ...
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