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Let It Loose is the tenth studio album by Gloria Estefan and Miami Sound Machine, released in 1987. It is the first studio album to feature a specific credit for ...
Let It Loose, a 1987 album by Gloria Estefan and the Miami Sound Machine This page was last edited on 24 May 2021, at 00:07 (UTC). Text is available under the ...
"Let Me Down Slow" 2004 2005 A Bigger Bang: Jagger/Richards Jagger "Let Me Go" 1979 1980 Emotional Rescue: Jagger/Richards Jagger "Let's Spend the Night Together" 1966 1967 Through the Past, Darkly (Big Hits Vol. 2) (UK) Between the Buttons (US) Jagger/Richards Jagger "Lies" 1977 1978 Some Girls: Jagger/Richards Jagger "Like a Rolling Stone ...
It should only contain pages that are Let Loose albums or lists of Let Loose albums, as well as subcategories containing those things (themselves set categories). Topics about Let Loose albums in general should be placed in relevant topic categories .
It was the first of three number-ones for Estefan. Due to the success of the single, the album Let It Loose was re-released with the title Anything For You outside North America . [4] The song also spent three weeks at #1 on the Adult Contemporary chart and peaked at #3 on the Hot Latin Tracks on June 25, 1988.
The song was released in November 1987 by Epic as the third single from their multi-platinum album, Let It Loose (1987). It became the group's fifth top 10 hit in the United States, peaking at #6 on the US Billboard Hot 100 chart; it was their second #1 hit on the adult contemporary chart, following 1986's "Words Get in the Way".
"Rhythm Is Gonna Get You" is a song written by Enrique "Kiki" Garcia and Gloria Estefan, and released by Gloria Estefan and Miami Sound Machine in 1987 as the lead single from their tenth studio album, Let It Loose (1987) (reissued internationally as Anything for You).
Written by Mick Jagger and Keith Richards, “Let It Loose” is an emotional gospel blues ballad with a fervent religious feeling, the song being one of the band’s most prominent forays into soul and gospel during the Exile era after Jagger had attended the services of the Reverend James Cleveland and remained deeply impressed by the singing of the gospel choir.