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De Werf organizes jazz concerts, mainly for American and Belgian jazz musicians. According to jazz impresario Jos Demol, the publisher of Jazz'halo, the Belgian jazz scene is generally spoken strongly focused on American jazz. [7] Only a few musicians did their own thing and found their own way: Fred van Hove, Kris Defoort and Gilbert Isbin for ...
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Lassus leading a chamber ensemble (contemporary painting by Hans Mielich) Many of the major 15th- and 16th-century composers of the Franco-Flemish School—a current of vocal polyphony that played a central role in European art music of the time—were born and bred in the portion of the Low Countries that is situated in present-day Belgium, often in Hainaut. [1]
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Jean Omer (September 9, 1912, Nivelles – May 30, 1994, Brussels) was a Belgian jazz reedist and bandleader. Omer played violin before switching to clarinet and saxophone, playing with local groups in Strassburg and Brussels. He worked in France in the band of Billy Smith, then played with the Golden Stars and in René Compère's band.
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Jazz Bilzen was an annual multi-day open air jazz and pop festival that took place from 1965 to 1981 in the Belgian city of Bilzen. Jazz Bilzen was the first festival on the continent where jazz and pop music were brought together. For this reason, Jazz Bilzen is sometimes called the "mother of all European festivals".
De Werf was an arts center and jazz record label (W.E.R.F.) in Bruges, Belgium. In 2002, the label released an eleven-CD box set titled The Finest of Belgian Jazz, with music by Greetings from Mercury, Aka Moon, Brussels Jazz Orchestra, and Kris Defoort. Rik Bevernage, De Werf's main collaborator, received an award at the 2002 Golden Django ...