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The two lead roles were cast with "wild disregard for suitability," according to Brian McFarlane, who has described the film as "a total disaster." [2] Originally intended to have a television screening in the United States followed by a cinema release in the rest of the world, its poor reception in New York led to the international plans being abandoned.
Brief Encounter is a 1945 British romantic drama film directed by David Lean from a screenplay by Noël Coward, based on his 1936 one-act play Still Life. The film stars Celia Johnson and Trevor Howard in lead roles, alongside Stanley Holloway , Joyce Carey , Cyril Raymond , Everley Gregg and Margaret Barton in supporting roles.
Dame Celia Elizabeth Johnson (18 December 1908 – 26 April 1982) was an English actress, whose career included stage, television and film. [1] She is especially known for her roles in the films In Which We Serve (1942), This Happy Breed (1944), Brief Encounter (1945) and The Captain's Paradise (1953).
The New York run of the cycle, a limited season, as in London, ended prematurely because Coward was taken ill. [n 5] Still Life is one of the two plays in the cycle that end unhappily; the other is The Astonished Heart. For their premieres Coward placed each in the middle of its triple-bill, with a comedy before and after. [19]
Milford Junction railway station was a railway station near to Milford Junction on the York and North Midland Railway south of the south-east connecting chord of 1840 between that railway and the Leeds and Selby Railway. The station closed on 1 October 1904, but the site remained in use for locomotive swapping.
Bellevue is a hamlet in the town of Cheektowaga in Erie County, New York, United States. [1] References This page was last edited on 15 November 2024, at 07: ...
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Trevor Wallace Howard-Smith (29 September 1913 – 7 January 1988) [2] was an English stage and screen actor. After varied work in the theatre, he achieved leading man star status in the film Brief Encounter (1945), followed by The Third Man (1949), portraying what BFI Screenonline called “a new kind of male lead in British films: steady, middle-class, reassuring…. but also capable of ...