Search results
Results from the WOW.Com Content Network
Allegory of Wisdom and Strength or Wisdom and Strength is a painting by Paolo Veronese, created c. 1565 in Venice.It is now located in the Frick Collection, in New York.It is a large-scale allegorical painting depicting Divine Wisdom personified on the left and Hercules, representing Strength and earthly concerns, on the right.
The Choice Between Virtue and Vice and Wisdom and Strength have traveled together since their creation, through many prestigious owners and collections. Because of this, many scholars assumed that Veronese painted them as a pair. In 1970, Edgar Munhall was the first scholar to suggest that they were simply made at the same time, not as pendants ...
Paolo Caliari (1528 – 19 April 1588), known as Paolo Veronese (/ ˌ v ɛr ə ˈ n eɪ z eɪ,-z i / VERR-ə-NAY-zay, -zee, US also /-eɪ s i /-see; Italian: [ˈpaːolo veroˈneːze,-eːse]), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573).
The Feast in the House of Simon the Pharisee (Veronese, Milan) The Feast in the House of Simon the Pharisee (Veronese, Turin) The Finding of Moses (Veronese, Washington) The Finding of Moses (Veronese, Dijon) The Finding of Moses (Veronese, Dresden) The Finding of Moses (Veronese, Lyon) The Finding of Moses (Veronese, Madrid)
The Duke of Buckingham series is a 1590s cycle of Old and New Testament paintings by Paolo Veronese and his workshop. They were acquired in Venice in 1595 by Charles de Croy, then duke of Aarschot, and moved to his castle at Beaumont.
The Mystic Marriage of Saint Catherine is a c.1575 oil-on-canvas painting by Paolo Veronese, produced as the high altarpiece for Santa Caterina church in Venice. It remained there until the First World War, during which it was moved to its present home in the city's Gallerie dell'Accademia [ 1 ]
Holy Family with Saint Catherine and Saint John the Baptist is an oil-on-canvas painting by Paolo Veronese, now in the Uffizi, in Florence. [1] Its dating is debated, varying between his early period and his late one, the latter influenced by Tintoretto, with the latter the majority view, placing it in c.1562–1565.
The scene that the painting depicts is an event that is not described in the Gospels or the Golden Legend, and reflects the widespread beliefs at the time that, firstly, Mary Magdalene and Martha were sisters, living together, and secondly that Mary Magdalene was the woman mentioned elsewhere in the Gospels who had lived a life of sexual sin ...