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Three Études for piano, Op. 104b (1834–1838) No. 1 Étude in B-flat minor; No. 2 Étude in F major; No. 3 Étude in A minor; Album-leaf (Albumblatt) in E minor for piano, Op. 117, "Lied ohne Worte" (1837) Capriccio in E major for piano, Op. 118 (1837) Perpetuum Mobile in C major, Op. 119; 3 Fugues [1] No. 1 Fugue in D minor; No. 2 Fugue in D ...
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
"A Perfect Day" was phenomenally successful when first published in 1910. [4] Eight million copies of the sheet music and five million recordings sold within a year; [5] 25 million copies of the sheet music sold during Jacobs-Bond's lifetime, and many millions of recordings circulated as various artists performed the song on the fast-growing means of audio duplication. [6]
Sources. Wright, Simon: Poulenc Piano Music and Chamber Works in Pascal Rogé: Francis Poulenc 1899-1963 Piano Works Chamber Music Decca CD Set 475 7097 Roy, Jean: Francis Poulenc Oeuvres complètes (1963-2013) L'Édition du 50e Anniversaire - EMI/Warner France Classics' 20 CD release marking the 50th anniversary of Poulenc's death.
Play ⓘ piano. Several singers singing a melody together. [2] In orchestral music unison can mean the simultaneous playing of a note (or a series of notes constituting a melody) by different instruments, either at the same pitch; or in a different octave, for example, cello and double bass (all'unisono). Typically a section string player plays ...
Arabic Melody for cello and piano, Op. 4 No. 5; from Five Romances (songs) (1882–85) Elegy in D flat major for cello and piano (Une Pensee a F. Liszt), Op. 17 (1888) Two Pieces for cello and piano, Op. 20A (1888) (Melodie; Spanish Serenade) Chant du Ménestrel for cello and piano, Op. 71 (1900) Reinhold Glière. Ballade
Op. 56, Studies in the Form of Canons for Organ or Pedal Piano (Etuden in kanonischer Form für Orgel oder Pedalklavier) (1845; also known in arrangements for piano trio) Op. 58, Sketches for Organ or Pedal Piano (Skizzen für Orgel oder Pedalklavier) (1845) Op. 60, 6 Fugues on B–A–C–H for organ or pedal piano (1845)
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