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"Easy" is a song by American band Commodores from their fifth studio album, Commodores (1977), released on the Motown label. Group member Lionel Richie wrote "Easy" with the intention of it becoming another crossover hit for the group given the success of a previous single, "Just to Be Close to You", which spent two weeks at number one on the US Billboard Hot Soul Singles chart (now known as ...
The film centered on a man who contemplates either escaping from prison to live life on the run or completing his sentence and returning to his wife and family. [14] The song has an unusual harmonic device as the bridge ends on the tonic chord rather than the more usual dominant chord. "Unchained Melody" is written in the key of C major. [15]
It was initially available as a piano roll. [3] By January 1919, the sheet music was reputed to have sold one million copies. [2] Green also used the song in a Broadway show in 1927. [1] The recording by Harris – the first widely-known white singer to sing blues songs – for Victor Records was released in February 1919.
All music composed by Patrick Doyle, except as follows: 1, 6, 10, 11, 19, and 24 are songs with music composed by Ivor Novello and lyrics as noted in credits below. 16 and 20 are songs with music composed by Patrick Doyle and lyrics as noted in credits below. Jeremy Northam's vocal performances are accompanied by Christopher Northam, piano.
Billy Joel performing in 2017. Billy Joel is the "Piano Man," and the song is celebrating its 50th anniversary.. Originally released on Nov. 2, 1973, Joel's signature song isn't even the tune that ...
You're a Good Man, Charlie Brown is a 1967 musical with music and lyrics by Clark Gesner and (in a 1999 revision) Andrew Lippa. It is based on the characters created by cartoonist Charles M. Schulz in his comic strip Peanuts .
"Piano Man" is a song written and performed by American singer-songwriter Billy Joel. First released as a single in the US on November 2, 1973, it was included on Joel's 1973 album Piano Man . The song is sung from the point of view of a piano player at a bar, describing the patrons.
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