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A sub-genre of noir fiction has been named "rural noir" in the US, [15] [16] and sometimes "outback noir" in Australia. [17] [18] Many rural noir novels have been adapted for film and TV series in both countries, such as Ozark, No Country for Old Men, [15] and Big Sky in the US, [19] and Troppo, The Dry, Scrublands, [17] and High Country (2024) in Australia.
Laird Samuel Barron (born March 5, 1970) is an American author and poet, much of whose work falls within the horror, noir, or horror noir and dark fantasy genres. He has also been the managing editor of the online literary magazine Melic Review.
Noir: A Collection of Crime Comics is a black-and-white crime comics anthology published by Dark Horse Comics. The collection contains original stories as well as short stories of already established crime comics series.
David Loeb Goodis (March 2, 1917 – January 7, 1967) was an American writer of crime fiction noted for his output of short stories and novels in the noir fiction genre. . Born in Philadelphia, Goodis alternately resided there and in New York City and Hollywood during his professional y
Space opera: fiction that takes place in outer space and centers around conflict, romance, and adventure. [9] Space Western: fiction that blends elements of sci-fi with those of the western genre. [9] Spy-Fi: spy fiction that includes elements of science fiction; Subterranean; Tech noir; Techno-thriller
Hardboiled writing is also associated with "noir fiction". Eddie Duggan discusses the similarities and differences between the two related forms in his 1999 article on pulp writer Cornell Woolrich. [13] In his full-length study of David Goodis, Jay Gertzman notes: "The best definition of hard boiled I know is that of critic Eddie Duggan.
Nordic noir, also known as Scandinavian noir, is a genre of crime fiction usually written from a police point of view and set in Scandinavia or the Nordic countries. Nordic noir often employs plain language, avoiding metaphor , and is typically set in bleak landscapes.
Neo-noir novels. Neo-noir film directors refer to 'classic noir' in the use of tilted camera angles, interplay of light and shadows, unbalanced framing; blurring of the lines between good and bad and right and wrong, and thematic motifs including revenge, paranoia, and alienation.