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Anthony Howe (born 1954, Salt Lake City, Utah) is an American kinetic sculptor who creates wind-driven sculptures resembling pulsing, alien creatures and vortices. He makes use of computer-aided design , shaping the metal components with a plasma cutter , and completing his work by use of traditional metalworking techniques.
Further, she states, “[Sherwood’s] sculpture celebrates botanical forms and patterns in nature with proportional harmony". [5] Although most of his best-known sculptures are intended for installation outdoors where they are activated by the wind, Sherwood has begun to create delicate indoors sculptures activated by random air currents. [1]
His work has been displayed since the late 1970s in science and art museums, in art galleries, and is in corporate and private collections around the world. [19] His work and life has been covered in publications including The New York Times, [20] [21] Discover magazine, [22] the Hartford Courant, [23] and the Boston Globe. [24]
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SITE Santa Fe, curated by Bruce W. Ferguson, [1] was started in 1995 with the goal of hosting the only biennial of contemporary art in the entire United States. For the biennial's first edition, Ferguson and co-curator Vince Varga selected 31 artists, from 13 different countries to participate. [1]
His early work consisted of kinetic and time-based sculptures such as Viscous Pult, 1990, which consisted of a paint brush smearing ketchup, white paint and motor oil on the gallery space's front window; and Displaced Sink, 1992, which had a leaking pipe in the ceiling dripping water on a tall stack of soap bars, leaving a pool of semi-liquid ...
Santa Fe Furniture employees helped Chuck load up the trailers full and Chuck drove the supplies to Inn of the Mountain Gods. He estimates the donated supplies at about $50,000.
Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
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