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The Special Collections section contains unique information related to accent and dialect studies. For instance, one subsection is devoted to Holocaust survivors while another features readings of "Comma Gets a Cure" (the standard scripted text for most IDEA subjects) by trained speech teachers in the General American dialect.
In the 1990s, dialect coaches became significant in the film industry as more filmmakers began employing them to train actors to speak in accents. The Los Angeles Times described the general training approach, "It's a process that involves repetition, studying audio- and videotapes, visits to locations where the characters live, along with breathing and vocal exercises."
Bob Katz is an American audio mastering engineer and author of a popular book on audio mastering. [1] Katz has mastered three Grammy Award–winning albums and one nominated album. Projects he has worked on have received Grammys and acclaim from audiophiles, [2] and his book on mastering is considered by some to be the "definitive work on ...
The International Phonetic Alphabet (IPA) can be used to represent sound correspondences among various accents and dialects of the English language. These charts give a diaphoneme for each sound, followed by its realization in different dialects. The symbols for the diaphonemes are given in bold, followed by their most common phonetic values.
Any American or Canadian accent perceived as lacking noticeably local, ethnic, or cultural markers is known in linguistics as General American; [6] it covers a fairly uniform accent continuum native to certain regions of the U.S. but especially associated with broadcast mass media and highly educated speech.
The distinction between a "North" versus "South Midland" was discarded in the 2006 Atlas of North American English, in which the former "North Midland" is now simply called "the Midland" (and argued to have a "stronger claim" to a General American accent than any other region) and the "South Midland" is considered merely as the upper portion of ...
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication).
While dubbing and ADR are similar processes that focus on enhancing and replacing dialogue audio, ADR is a process in which the original actors re-record and synchronize audio segments. This allows filmmakers to replace unclear dialogue if there are issues with the script, background noise, or the original recording.
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