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In 2006, Catalina Restaurant Group was bought by Japanese company Zensho Co., Ltd., which has operated Coco's Japan for many years. [ 8 ] In 2015 San Antonio, Texas -based Food Management Partners acquired Carlsbad, California -based Catalina Restaurant Group Inc., parent of the Coco's and Carrows concepts, from Zensho Co., Ltd. [ 9 ] See also ...
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Kalani Das, also known simply as Kalani (birth name Michael Bruno), is an American classically trained percussionist, author, and educator.He has recorded percussion with numerous artists including Yanni and Suzanne Ciani, and has won several awards, including #1 Rock/Pop Percussionist through DRUM!
Yanni's lighting manager for over twenty years, Bud Horowitz, said that the Pyramids location brought its own set of challenges. [6] The Great Pyramid was a kilometer behind the stage, and 24 searchlights had to be brought to Egypt from Germany to light the pyramids and Sphinx in the background so that they were visible beyond the bright stage ...
Freeman is a featured keyboard soloist in many of Yanni's DVDs such as Tribute filmed in India and China, Yanni Live at Royal Albert Hall in London, Yanni Live! The Concert Event, and Yanni Voices. Freeman has been noted to handle the more advanced keyboard work during Yanni's shows. [8] [9]
Poway (/ ˈ p aʊ. eɪ /) is a city in San Diego County, California, United States. Poway's rural roots influenced its motto "The City in the Country". The city had a population of 48,841 as of the 2020 United States census. [7] Poway is part of San Diego's North County. [8]
In English his name is sometimes romanticized as Yannis, Ioannis or Yiannis. Most active in the 1940s, he wrote many songs, some of which are today considered classics of the rebetiko folk music style. These include: Pente Ellines Ston Adi, Kapetan Andreas Zeppo, Modistroula, Prin To Charama Monachos, and Fovamai Mi Se Chaso.
Steal the Sky is the soundtrack album for the HBO movie Steal the Sky, composed and performed by Yanni. It was released on the Rhino Entertainment label in 1999. The album peaked at #17 on Billboard 's "Top New Age Albums" chart in the same year.