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The album includes recordings of the music that won the Grammy for Best Instrumental Composition Written for a Motion Picture or for Television ("Under the Sea"), the Academy Awards for Best Original Score and Best Original Song ("Under the Sea") and the Golden Globe Award for Best Original Score.
"Under the Sea" is a song from Disney's 1989 animated film The Little Mermaid, composed by Alan Menken with lyrics by Howard Ashman. [3] It is influenced by the calypso style of the Caribbean which originated in Trinidad and Tobago, as well as reggae, which originated in Jamaica. [citation needed] The song was performed in the film by Samuel E ...
The free tier plays songs in its music video version where applicable. The premium tier plays official tracks of the album unless the user searches for the music video version. YouTube Music Premium and YouTube Premium subscribers can switch to an audio-only mode that can play in the background while the application is not in use. The free tier ...
Finding Nemo (Original Motion Picture Soundtrack) is the soundtrack to the 2003 Disney/Pixar film of the same name.Featuring original score composed and conducted by Thomas Newman, the cousin of Randy Newman, who had collaborated with Pixar productions since Toy Story (1995), A Bug's Life (1998), Toy Story 2 (1999) and Monsters, Inc. (2001).
"Fathoms Below" is the opening song from the 1989 animated Disney feature film The Little Mermaid. A rousing sea shanty written by Alan Menken and Howard Ashman, the song is sung by the ship's crew on the film's original soundtrack. An extended version with additional lyrics by Glenn Slater appears in the 2008 stage adaptation of the musical. [1]
Each song has its own story and is a soundtrack to that story with its own piece of art to illustrate the journeys within the songs. The artwork, made by guitarist Matt Harvey, helped wrap the theme of this record together with the music and found acclaim on its own merit with an article in Digital Arts Magazine (UK) and reaching over 42,000 ...
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The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.