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The album was reissued a few months later as Jumping at Shadows by Varrick Records. [4] A number of other releases, with titles such as Boston Live, Oh Well "Live" or Live, featuring the same track listing as the original Live in Boston album were released by various labels worldwide during the late 1980s and early 1990s. [3]
Live in Boston is a live performance video/music album by British-American rock band Fleetwood Mac, released on 15 June 2004.The concert was filmed on 23–24 September 2003 at the FleetCenter (now known as the TD Garden) in Boston, Massachusetts during the group's Say You Will Tour.
Fleetwood Mac: Live in Boston : A DVD / CD set of a concert recorded in 2003, by the Stevie Nicks / Lindsey Buckingham line-up of the group. Live in Boston (The Doors album) : 3CD live album by the Doors, released in 2007. Live in Boston : a concert film of a concert performed by The Who on September 24, 2002, in Boston, Massachusetts
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Live in Boston is a concert film of a concert performed by The Who on September 27, 2002 (mistakenly credited as September 24, 2002) in Boston, Massachusetts.This concert was the second to the last concert of The Who's first tour without bass player John Entwistle, who died just prior to the beginning of the tour, being replaced by Pino Palladino, who made his debut with The Who on this tour ...
Following the establishment of NBCUniversal in 2004, Universal Studios, owners of NBC, Saturday Night Live's broadcast home, ceased the existing arrangement of outside distribution of SNL material. [ 1 ] [ 2 ] While Lionsgate is no longer able to acquire new SNL -related content, they have retained reissuing rights to their existing SNL content ...
The discography of the American rock band Live consists of nine studio albums (including The Death of a Dictionary, recorded when the band was known as Public Affection), one live album, two compilation albums, three extended plays, twenty-eight singles and twenty-six music videos.
Writing for Allmusic, Scott Yanow praised the album, saying it was "arguably Sonny Rollins' best recording of the past decade, and is a highly recommended set", and that "[w]hile many of his detractors feel that his studio recordings since the 1970s have not had the excitement of his live concerts, they should find much to enjoy on this passionate if not flawless set".