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Giorgio Sanguinetti is an Italian musicologist, music historian and music theorist.He is best known as the author of The Art of Partimento: History, Theory, and Practice, the first monograph dedicated to the history, theory, and practice of partimento instruction as practiced in the music conservatories of Naples from the end of the 17th century to the middle of the 19th century.
The Seventeenth Century is a quarterly peer-reviewed academic journal covering research on the 17th century published by Taylor & Francis. It is abstracted and indexed in the Arts & Humanities Citation Index. [1]
Pages in category "17th century in music" The following 94 pages are in this category, out of 94 total. This list may not reflect recent changes. 0–9. 1601 in music;
Academic interest in music education lessened by the Renaissance as universities abandoned music as a part of their curriculum in the mid 16th century, [5] while the Protestant Reformation later brought some changes to music education, Martin Luther among other individuals suggesting that music, poetry, and history be added to standard ...
Music education journals (7 P) ... 19th-Century Music; A. Acta Musicologica; African Music (journal) Archiv für Musikwissenschaft; ARSC Journal; B. Bach (journal)
April 3 – Christian Friedrich Witt, composer, music editor and teacher (born c.1660) October 13 – Wolfgang Printz, composer and cantor (born 1641) November 26 – Daniel Purcell, composer (born 1664) date unknown. Pierre Bouteiller, composer (born 1655) Goffredo Cappa, luthier (born 1644)
The Ospedali's all-female musical ensembles - called cori - originated in the middle of the sixteenth century. The cori first performed music only for religious functions, and all music was taught either by current residents of the institutions who were already musically proficient or by hired church musicians (nuns or priests). During this ...
Drexel 3976, also known as The Rare Theatrical (based on an inscription from a former owner), is a 17th-century music manuscript compilation of works by the composer Matthew Locke, considered by some to be "the father of all Restoration dramatic music."