Search results
Results from the WOW.Com Content Network
This is a list of chaconnes composed in the 17th century. Included are all pieces of 17th-century music, or clearly marked off sections of pieces, labeled "chaconne" (or some variant of that word) by their composers, that have been found by contributors to this article among the works of musicians, musicologists, and music historians.
Pages in category "17th century in music" The following 94 pages are in this category, out of 94 total. This list may not reflect recent changes. 0–9. 1601 in music;
The brunette is a French song form popular in the late seventeenth and eighteenth centuries. [1] Among those who worked in the form was Jacques Hotteterre, who published a collection of flute arrangements of airs and brunettes around 1721. [2]
The Seventeenth Century is a quarterly peer-reviewed academic journal covering research on the 17th century published by Taylor & Francis. It is abstracted and indexed in the Arts & Humanities Citation Index. [1]
Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that ballet gained status as a "classical" form.
The revival of baroque music in the 1960s and '70s sparked renewed interest in 17th and 18th century dance styles. While some 300 of these dances had been preserved in Beauchamp–Feuillet notation, it wasn't until the mid-20th century that serious scholarship commenced in deciphering the notation and reconstructing the dances.
Category: 17th-century dance. ... 17th-century dancers (1 C, 5 P) This page was last edited on 3 January 2021, at 21:30 (UTC). Text is available under the Creative ...
Drexel 3976, also known as The Rare Theatrical (based on an inscription from a former owner), is a 17th-century music manuscript compilation of works by the composer Matthew Locke, considered by some to be "the father of all Restoration dramatic music."