Search results
Results from the WOW.Com Content Network
The Belle Album is the 12th studio album by soul musician Al Green. It is his first album recorded without longtime producer Willie Mitchell , owner of Green's former label, Hi Records . With Mitchell and his label Green also abandoned the famed Hi Rhythm Section , which had previously played a large part in defining Green's distinctive musical ...
The Belle Stars is the only studio album by the all-female band of the same name released in 1983 (see 1983 in music). The band's eponymous debut album reached number 15 on the UK Albums Chart. [2] The Belle Stars had some success with their single "Iko Iko", a cover of The Dixie Cups' 1965 hit.
In 1982, the British all-female band the Belle Stars had a minor UK chart hit with their cover of "Iko Iko", which reached number 35. [23] The track was produced by Brian Tench and was also featured on the band's eponymous debut album, The Belle Stars, which reached number 15 on the UK Albums Chart. [23]
In January 1983, the Belle Stars released what would be their signature single, "Sign of the Times", peaking at number three, and a chart success throughout Europe. The song's music video, showing the Belle Stars in dinner jackets, was also played frequently by MTV in the United States. The song went on to become the 30th-best selling single of ...
The Belle Of Avenue A is a 1969 studio album by the Fugs, a band composed of anti-war poets.It was released in the US by record company Reprise.The album was first released on CD as part of the 2006 3-CD box set, Electromagnetic Steamboat, and eventually as a stand-alone CD in 2011 on the Wounded Bird label (WOU 6539).
New Belle and Sebastian Album Late Developers C. Belle and Sebastian has always imbued its music with a playful streak, which will continue Friday (Jan. 13) when the long-running Scottish indie ...
In 1982, the Belle Stars released three cover versions: "Iko Iko" by the Dixie Cups, "The Clapping Song" by Shirley Ellis, and "Mockingbird" by Inez & Charlie Foxx. Dave Robinson at Stiff Records, the band's record company, suggested that the band ought to perform covers to attract audiences, then after three covers write their own song, and it would be a hit.
The album’s muted sonic palette reflects the influence of the kind of minimal techno that was in vogue in the early 2000s, marking a left turn from the band’s more bombastic ‘90s records.