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Nicodemus Visiting Christ is a painting by Henry Ossawa Tanner, made in Jerusalem in 1899 during the artist's second visit to what was then Palestine. [1] The painting is biblical, featuring Nicodemus talking privately to Christ in the evening, and is an example of Tanner's nocturnal light paintings, in which the world is shown in night light.
Jesus and the two disciples On the Road to Emmaus, by Duccio, 1308–1311, Museo dell'Opera del Duomo, Siena. According to the Gospel of Luke, the road to Emmaus appearance is one of the early post-resurrection appearances of Jesus after his crucifixion and the discovery of the empty tomb.
The Gospel accounts (Matthew 17:1–9, Mark 9:2–8, Luke 9:28–36) describe the disciples as "sore afraid", but also as initially "heavy with sleep", and waking to see Jesus talking with Moses and Elijah and emitting a bright light. The disciples are usually shown in a mixture of prostrate, kneeling, or reeling poses which are dramatic and ...
This is the painting's only overt reference to the ethnicity of Jesus and his disciples. Most previous depictions excluded Judas by placing him alone on the opposite side of the table from the other eleven disciples and Jesus, or placing halos around all the disciples except Judas. Leonardo instead has Judas lean back into shadow.
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from the material. They used a computer program to reverse the aging process. After reducing his jaw ...
Jesus was not well regarded by the Pharisees or Sanhedrin. Any meetings with Jesus would have jeopardized a Pharisee's position and reputation, and so this may have the reason for him coming by night. [3] This new birth that Jesus speaks of is thought to allude to Hosea 1:10, “Ye shall be called the sons of the living God.” [citation needed]
Christ in the House of Martha and Mary by Tintoretto, 1570s. Jesus at the home of Martha and Mary, in art usually called Christ in the House of Martha and Mary, and other variant names, is a Biblical episode in the life of Jesus in the New Testament which appears only in Luke's Gospel (Luke 10:38–42), immediately after the Parable of the Good Samaritan (Luke 10:25–37). [1]