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GLENN MILLER'S 125 Jazz Breaks for Trombone. $1.00." [2] An ad for the sheet music also appeared in the 1928 Metronome, Volume 44, Page 42. The songbook contained the sheet music for 125 jazz breaks or improvisations for trombone with piano accompaniment in different keys. The Melrose Bros. Music Company was founded by Walter Melrose and Lester ...
This page lists classical pieces in the trombone repertoire, including solo works, concertenti and chamber music of which trombone plays a significant part. Solo trombone [ edit ]
"The Jazz Breaks are works of recognized Jazz artists who have made national reputations. JAZZ BREAKS. Benny Goodman's 125 Jazz Breaks for Sax and Clarinet. $1.00. GLENN MILLER'S 125 Jazz Breaks for Trombone. $1.00." An ad for the sheet music also appeared in the 1928 "Metronome", Volume 44, Page 42.
Colors for Trombone is a concerto for solo trombone and concert band. [1] It was composed in 1998 by Belgian composer Bert Appermont in Ravels. It was written for Belgian trombonist Ben Haemhouts. The piece is in four movements, each based on a color, and characterizes a typical musical quality:
The International Trombone Association is the largest association of trombonists with 4,000 members from 74 countries. Formed in 1972, ITA is a registered non-profit organization. Formed in 1972, ITA is a registered non-profit organization.
The trombone having a slide instead of valves or strings or holes for playing had difficult positioning themselves, and tended to sit in the back of the trailer, gaining the name "Tailgate Trombone". This style of playing included many trombone specific techniques such as growling, scoops, falls, and slides.
"Seventy-Six Trombones" is a show tune and the signature song from the 1957 musical The Music Man, by Meredith Willson, a film of the same name in 1962 and a made-for-TV movie in 2003. The piece is commonly played by marching bands, military bands, and orchestras.
Sequenza V is a composition for solo trombone by Luciano Berio, part of his series of pieces with this title.Written in 1966 for Stuart Dempster, it has since been performed and recorded by Vinko Globokar, Benny Sluchin, Christian Lindberg, and others.
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