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The word "manual" is used instead of the word "keyboard" when referring to any hand-operated keyboard on a keyboard instrument that has a pedalboard (a keyboard on which notes are played with the feet), such as an organ; or when referring to one of the keyboards on an instrument that has more than one hand-operated keyboard, such as a two- or ...
Their publication – decades after their composition and after Italian composers had moved to favor the ritornello concerto form associated with Vivaldi – caused waves of concerto grosso writing in Germany and England, where in 1739 George Frideric Handel honored Corelli directly with his own "Opus 6" collection of twelve.
Duo Concertante (Concerto No. 1) for Two Violins and Orchestra, H 264 (1937 Nice) Concerto for Two Pianos and Orchestra, H 292 (1943 New York) Sinfonia Concertante No. 2 in B-flat major (Violin, Cello, Oboe, Bassoon and Orchestra with Piano), H 322 (1949 New York) Concerto for Two Violins and Orchestra No. 2 in D major, H 329 (1950 New York)
The fourth concerto in A minor is a conventional orchestral concerto in four movements, with very little writing for solo strings, except for brief passages in the second and last movements. The first movement, marked larghetto affetuoso , has been described as one of Handel's finest movements, broad and solemn.
An alleged "Opus 13", Il pastor fido (The Faithful Shepherd) was published in 1737 by Jean-Noël Marchand through a secret agreement with Nicolas Chédeville to publish a collection of Chédeville's compositions under Vivaldi's name.
These titles typically take the name of a musical form such as concerto, overture, quartet, sonata, suite, symphony, etc. Titles of liturgical works (such as agnus dei, kyrie, mass, requiem, etc.) are considered generic titles. Generic titles should not be italicized. [2] Piano Concerto No. 5; Sixth Symphony; Requiem; True titles are specific ...
After Thomas Hudson: George Frideric Handel (1756, Royal Collection). The Handel organ concertos, Op. 7, HWV 306–311, refer to the six organ concertos for organ and orchestra composed by George Frideric Handel in London between 1740 and 1751, published posthumously in 1761 by the printing company of John Walsh.
Stanley accompanied all oratorios, and played a concerto during each interval. Also in 1760 he composed an ode in memory of George II and as homage to George III; it was first performed at the Drury Lane Theatre. On the occasion of the King's wedding in 1762 he composed a dramatic pastoral oratorio, Arcadia.