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Almost all of the objects are hammered into shape from a single piece or block of copper, including details like handles and decorative figures which are shaped along with the main body. This eliminates the need for soldering. [24]
Chasing (French: ciselure) or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in conjunction. Many metals can be used for chasing and repoussé work, including gold, silver, copper, and alloys such as steel, bronze, and pewter.
The handles were cylindrical and upturned. The vertical handle was also pulled from a ball of clay but it was centre-ridged and oval shaped. [7] It was attached at the lip and shoulder of the hydria. [7] The handles were then burnished by hand rather than on the potter's wheel. [7]
A richly decorated form is a shallow bowl with wide ring-handle and flat lip, on both of which are foliate or floral patterns in relief. [1] A notable shape, connecting prehistoric with Hellenic metallurgy is a tripod-bowl, a hammered globular body with upright ring-handles on the lip and heavy cast legs attached to the shoulder.
A lug is a typically flattened protuberance, a handle or extrusion located on the side of a ceramics, jug, glass, vase, or other container. They are sometimes found on prehistoric ceramics and stone containers, such as on pots from ancient Egypt , Hembury ware, claw beakers , and boar spears .
The Classic Period of the Maya provided beautiful ceramics in many forms. The lidded basal flange bowl was a new style of potter to add to the already growing repertoire. This type vessel usually had a knob on top in the form of an animal or human head, while the painted body of the animal or human spreads across the pot.
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