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The chord is favored by Pixies lead guitarist Joey Santiago, with D 7 ♯ 9, reminiscent of the opening to "A Hard Day's Night", opening and being called the "secret ingredient" of the song "Here Comes Your Man". A "brutally scraped" F 7 ♯ 9 features in the chorus of "Tame" against the three chord rhythm guitar part's D, C, and F chords. [27]
The wah-effected guitar solo midway through the song was performed by Jesse Ed Davis, [42] who, having first supported Harrison at the Concert for Bangladesh in August 1971, had since mirrored the ex-Beatle's guitar style on John Lennon's recent hit song "#9 Dream". [70]
"Albuquerque" is the last song of "Weird Al" Yankovic's 1999 album Running with Scissors. At 11 minutes and 23 seconds, it is the longest song Yankovic has ever recorded. At 11 minutes and 23 seconds, it is the longest song Yankovic has ever recorded.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
"Money for Nothing/Beverly Hillbillies*" is a song by "Weird Al" Yankovic. It is a cover of "Money for Nothing" by Dire Straits with the lyrics replaced by those of The Beverly Hillbillies theme song. The music video, which appeared as part of Yankovic's film UHF, is a parody of the "Money for Nothing" music video.
The song was written by Alfred "Weird Al" Yankovic in 1979, when he was a student at California Polytechnic State University (Cal Poly) in San Luis Obispo, California.. In the late 1970s, Alfred "Weird Al" Yankovic, was a student at California Polytechnic State University (Cal Poly) in San Luis Obispo, California, and in his spare time, he was a DJ for the university's radio station, KCPR.
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A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...