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"Reencuentro" was written and composed by Álvaro Torres, being described as a mid-tempo pop ballad.The song is composed in the key of C major and follows the chord progression of C–Em–F–Am–Dm–G7–Em–Am–G–C–F–Dm–G7 in the verses, while in the chorus changes to C–Em–Dm–G7–F–G–F–Dm–G7.
In some jazz tunes, all or almost all of the chords that are used are dominant chords. For example, in the standard jazz chord progression ii–V–I, which would normally be Dm–G 7 –C in the key of C major, some tunes will use D 7 –G 7 –C 7. Since jazz tunes are often based on the circle of fifths, this creates long sequences of ...
C – Am – Dm – G 7. This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord. In a jazz context, players have the freedom to add sevenths, ninths, and higher extensions to the chord. In some pop, rock and folk genres, triads are generally ...
Diminished chord function is rarer but still exists. Half-diminished chords can function in the same way as fully diminished chords, such as in the chord progression CM 7 – C ♯ dim 7 – Dm 7, or Em 7 – E ♭ dim 7 – Dm 7, where the diminished chord serves as a chromatic passing chord preceding a chord with a diatonic
This chord also occurs on the seventh degree of any natural minor scale (e.g., G7 in A minor). The dominant seventh is perhaps the most important of the seventh chords. It was the first seventh chord to appear regularly in classical music .
The chord consists of a diminished triad plus the diminished seventh above the root. These four notes form a stack of three intervals which are all minor thirds.Since stacking yet another minor third returns to the root note, the four inversions of a diminished seventh chord are symmetrical.
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
|Cmaj7 D# dim7' |Em7 C# dim7 |Dm7 |G7 | (in this example, the D# dim7 is the viio7 of Em7 and the C# dim7 is the viio7 of Dm7) Passing chords may be consonant or dissonant [ 7 ] and may include flat fifth substitution , scalewise substitution, dominant minor substitution, approach chords , and bass-line -directed substitution. [ 5 ]